Each song's eq may seem best by itself, however if you sequence them together, suddenly one song sounds too intense (or too dull ...). Changing the eq can even everything out. Tip # 1: bear in mind that any eq modifications to your stereo mix affect the whole mix - if you wish to cut 3 db at 80Hz due to the fact that your mix sounds muddy, remember to check how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Suggestion # 2: if you're unsure about an eq choice throughout mixdown, know that it's much easier to cut lower frequencies in mastering than to improve them, and simpler to boost greater frequencies than to cut them. Compression: In mastering, this is used not just to manage a mix or to add character, however likewise to "print" or send as much level to the master as possible without clipping the signal. This can nearly seem like a competition for who has the loudest cd (" my record sounded excellent up until I listened on my CD carousel and Green Day was 5 db louder!"). Mastering engineers need to balance level with sonic integrity. Levels: Preferably, a listener can play your record and not have to get up to change the volume. This is attended to in mastering, after the record has been sequenced. Just then can you really understand how levels associate with each other as one song ends and the next starts.
Spacing & Crossfading.
Spacing: there are various philosophies as to how one ought to approach the areas put in between songs on a record. Final idea: you may be inclined to master the exact same recordings that you combined, whether it is for monetary reasons, innovative factors, or merely since you can. We highly advise that you get someone else to master your job.
Normal areas of concern for a mastering engineer are: equalization Download Beats Rap (eq), compression, levels (volume) relative from one tune to the next, and spacing in between tunes. Or you may have ten tunes blended by three different engineers in 5 various studios.
Each song's eq may appear best by itself, but if you sequence them together, all of a sudden one tune sounds too bright (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix impact the whole mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to check how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to control a mix or to add character, but also to "print" or send out as much level to the master as possible without clipping the signal.
